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Tech News & Announcements

Premiere Rush CC is Adobe’s new all-in-one video editing tool for desktop and mobile

Earlier this year, Adobe previewed Project Rush , a new multi-platform video editing tool. Today, at its Mac conference, the company announced that Project Rush is now Premiere Rush CC and an official part of the Creative Cloud suite. The idea behind Rush is pretty straightforward. It’s meant to provide video creators with a modern all-in-one video editing solution that allows them to quickly edit a video and publish it on platforms like YouTube and other social networks. Indeed, it’s very much meant to be the video editing tool for the YouTube generation. Rush takes the core parts of Adobe’s suite of video and audio editing tools and combines them in a single mobile and desktop experience. That means you get a set of Motion Graphics templates, for example, that were specifically designed to give Rush users easy access to customizable titles. The color correction system is built on top of the same technology that powers the more fully featured and complicated Premiere Pro editing tool. And the audio-editing features, including one-click ducking, are powered by the same code as their counterparts in Audition. All of those edits easily sync between platforms, giving creators the ability to start editing on their phone, for example, and then finish their work on a laptop. The current version of Rush is pretty much what Adobe announced a few months ago, but the company also used today’s announcement to preview what’s next. Soon, you’ll also be able to edit on Android (Adobe promises a release in 2019) and get speed controls so you can speed up and slow down your videos (a feature that YouTube creators are bound to overuse), as well as the ability to more easily create different versions of your videos for multiple platforms.

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Typekit is now Adobe Fonts and part of all Creative Cloud plans

Adobe today announced that Typekit , the company’s subscription service and marketplace for fonts that it acquired in 2011 , is getting a new name. The service is now called Adobe Fonts. What’s maybe more important, though, is that Adobe Founts is now part of all Creative Cloud plans, including single-app plans the popular Photography plan. Even those who don’t pay for a Creative Cloud subscription now get access to a basic font collection, courtesy of their Adobe ID. There’s a couple of other new features today, too. Adobe has removed all sync limits, for example, so that you can now activate whichever fonts you need and then use them everywhere. And ‘everywhere’ is an important term here, because the company has also done away with “web-only” fonts. Every font in the library is now available for usage on the web and the desktop. In addition to these functional updates, Adobe also today announced that it is adding 3,000 new fonts to the library (and the library itself is getting a design overhaul, too). The new fonts come from a number of sources, including the Type Network collective, which accounts for 2,500 fonts in the library, and Adobe’s own type foundry. And starting today, Adobe will launch new font packs every day for the next 30 days.

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Adobe launches new AR and drawing tools 

At its Max conference in Los Angeles, Adobe today announced a number of new products in its Creative Cloud suite. Among those is Project Aero, a new tool that allows for building new AR experiences, and Project Gemini for painting and drawing on the iPad. The ‘Project’ moniker is Adobe’s way of signifying that these are still early-stage products and not quite ready for prime time yet. Over time, though, they typically become fully named parts of the Creative Cloud suite. The fact that Adobe is launching a tool for building AR experience doesn’t come as a major surprise. Adobe isn’t one to stand by as hype builds around a new technology (see: Adobe’s early support for VR). Project Aero, which integrates with both Adobe Dimension and Photoshop for creating importing assets, is now in private beta, with plans for a wider release in 2019. The other new tool is Project Gemini, which takes some of Adobe’s Photoshop technology, including its painting engine, to create a stand-alone drawing app for the iPad. The app also takes some cues from existing drawing tools from Adobe like Photoshop Sketch and Illustrator Draw. Indeed, it gets its time-lapse recording feature and support for Photoshop brushes from these — but in a new package that also includes selection and masking tools, grids, drawing guides and a mix of raster and vector drawing capabilities. One interesting note here is that Kyle T. Webster is behind this new project. Last year, Adobe bought Webster’s Photoshop brush tools almost exactly one year ago .

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Vinli launches mobility data platform, signs partnership with ALD Automotive

Connected car startup Vinli aims to connect vehicles to the cloud and is today announcing a change in its business model as it partners with the largest fleet operator in Europe, ALD Automotive. Vinli launched in 2014 as a direct consumer company that allowed owners to add cloud services to automobiles. It was a clever concept, and when it launched four years ago, it was ahead of the curve. The company went on to raise to $6.5M through four rounds of funding, slowly evolving the product to meet the changing needs of the market. Today, the company is announcing a change in focus and will no longer sell products directly to consumers. The company founder and CEO Mark Haidar tells TechCrunch this is in response to the product’s evolution, which can now offer enterprises a platform for them to launch their own mobility applications directly to their users. Vinli is discontinuing the production of its hardware and will work with partners to offer the same services to consumers. To go along with this new business strategy, Vinli is launching a data platform that Haidar tells me can ingest data from any source and correlate it with machine learning and AI, allowing customers to develop predictive services for their products. Called Era, Vinli believes this will enable its customers to mine trends from data without the need of data scientists. Vinli signed a deal with ALD Automotive to add its connected services to its fleets of 1.6 million vehicles. In a press release, ALD Automotive says Vinli will enrich ALD’s “overall service offering and develop new value-added solutions to improve both driver experience and optimize overall Total Cost of Ownership for efficient fleet management.” “We believe that the automotive industry is evolving to become a service-based and subscription-driven industry,” said Mark Haidar, CEO of Vinli. “Connected cars and data are at the epicenter of this change. Collecting, analyzing, and discovering trends from ALD’s fleets will not only be transformative to the driver but to the industry as a whole” Terms of the partnership were not released. Connecting vehicles to the cloud has significant implications as car makers, insurers and consumers alike can gain deep insights into the habits of the driver and mechanics of the car throughout its life. Vinli seems well positioned to offer a platform to provide this data and today’s moves should help the company into the future

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Adobe XD now lets you prototype voice apps 

Adobe XD , the company’s platform for designing and prototyping user interfaces and experiences, is adding support for a different kind of application to its lineup: voice apps. Those could be applications that are purely voice-based — maybe for Alexa or Google Home — or mobile apps that also take voice input. The voice experience is powered by Sayspring, which Adobe acquired earlier this year . As Sayspring’s founder and former CEO Mark Webster told me, the team has been working on integrating these features into XD since he joined the company. To support designers who are building these apps, XD now includes voice triggers and speech playback. That user experience is tightly integrated with the rest of XD and in a demo I saw ahead of today’s reveal, building voice apps didn’t look all that different from prototyping any other kind of app in XD. To make the user experience realistic, XD can now trigger speech playback when it hears a specific word or phrase. This isn’t a fully featured natural language understanding system, of course, since the idea here is only to mock-up what the user experience would look like. “Voice is weird,” Webster told me. “It’s both a platform like Amazon Alexa and the Google Assistant, but also a form of interaction … Our starting point has been to treat it as a form of interaction — and how do we give designers access to the medium of voice and speech in order to create all kinds of experiences. A huge use case for that would be designing for platforms like Amazon Alexa, Google Assistant and Microsoft Cortana.” And these days, with the advent of smart displays from Google and its partners, as well as the Amazon Echo Show, these platforms are also becoming increasingly visual. As Webster noted, the combination of screen design and voice is being more and more important now and so adding voice technology into XD seemed like a no-brainer. Adobe’s product management lead for XD Andrew Shorten stressed that before acquiring Sayspring and integrating it into XD, its users had a hard time building voice experiences

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Adobe is bringing Photoshop CC to the iPad 

It’s no secret that Adobe is currently in the process of modernizing its Creative Cloud apps and bringing them to every major platform. Today, the company is using its Max conference in Los Angeles today to officially announce Photoshop CC for the iPad . Sadly, you won’t be able to try it today, but come 2019, you’ll be able to retouch all of your images right on the iPad. And while it won’t feature ever feature of the desktop from the get-go, the company promises that it’ll add them over time. As with all of Adobe’s releases, Photoshop for iPad will play nicely with all other versions of Photoshop and sync all the changes you make to PSD files across devices. Unsurprisingly, the user experience has been rethought from the ground up and redesigned for touch. It’ll feature most of the standard Photoshop image editing tools and the layers panel. Of course, it’ll also support your digital stylus. Adobe says the iPad version shares the same code base as Photoshop for the desktop, “so there’s no compromises on power and performance or editing results.” For now, though, that’s pretty much all we know about Photoshop CC on the iPad. For more, we’ll have to wait until 2019. In a way though, that’s probably all you need to know. Adobe has long said that it wants to enable its users to do their work wherever they are. Early on, that meant lots of smaller specialized apps that synced with the larger Creative Cloud ecosystem, but now it looks as if the company is moving toward bringing full versions of its larger monoliths like Photoshop to mobile, too.

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Adobe is bringing Photoshop CC to the iPad 

It’s no secret that Adobe is currently in the process of modernizing its Creative Cloud apps and bringing them to every major platform. Today, the company is using its Max conference in Los Angeles today to officially announce Photoshop CC for the iPad . Sadly, you won’t be able to try it today, but come 2019, you’ll be able to retouch all of your images right on the iPad. And while it won’t feature ever feature of the desktop from the get-go, the company promises that it’ll add them over time. As with all of Adobe’s releases, Photoshop for iPad will play nicely with all other versions of Photoshop and sync all the changes you make to PSD files across devices. Unsurprisingly, the user experience has been rethought from the ground up and redesigned for touch. It’ll feature most of the standard Photoshop image editing tools and the layers panel. Of course, it’ll also support your digital stylus. Adobe says the iPad version shares the same code base as Photoshop for the desktop, “so there’s no compromises on power and performance or editing results.” For now, though, that’s pretty much all we know about Photoshop CC on the iPad. For more, we’ll have to wait until 2019. In a way though, that’s probably all you need to know. Adobe has long said that it wants to enable its users to do their work wherever they are. Early on, that meant lots of smaller specialized apps that synced with the larger Creative Cloud ecosystem, but now it looks as if the company is moving toward bringing full versions of its larger monoliths like Photoshop to mobile, too.

Read More »

Adobe is bringing Photoshop CC to the iPad 

It’s no secret that Adobe is currently in the process of modernizing its Creative Cloud apps and bringing them to every major platform. Today, the company is using its Max conference in Los Angeles today to officially announce Photoshop CC for the iPad . Sadly, you won’t be able to try it today, but come 2019, you’ll be able to retouch all of your images right on the iPad. And while it won’t feature ever feature of the desktop from the get-go, the company promises that it’ll add them over time. As with all of Adobe’s releases, Photoshop for iPad will play nicely with all other versions of Photoshop and sync all the changes you make to PSD files across devices. Unsurprisingly, the user experience has been rethought from the ground up and redesigned for touch. It’ll feature most of the standard Photoshop image editing tools and the layers panel. Of course, it’ll also support your digital stylus. Adobe says the iPad version shares the same code base as Photoshop for the desktop, “so there’s no compromises on power and performance or editing results.” For now, though, that’s pretty much all we know about Photoshop CC on the iPad. For more, we’ll have to wait until 2019. In a way though, that’s probably all you need to know. Adobe has long said that it wants to enable its users to do their work wherever they are. Early on, that meant lots of smaller specialized apps that synced with the larger Creative Cloud ecosystem, but now it looks as if the company is moving toward bringing full versions of its larger monoliths like Photoshop to mobile, too.

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Celonis brings intelligent process automation software to cloud

Celonis has been helping companies analyze and improve their internal processes using machine learning. Today the company announced it was providing that same solution as a cloud service with a few nifty improvements you won’t find on prem. The new approach, called Celonis Intelligent Business Cloud, allows customers to analyze a workflow, find inefficiencies and offer improvements very quickly. Companies typically follow a workflow that has developed over time and very rarely think about why it developed the way it did, or how to fix it. If they do, it usually involves bringing in consultants to help. Celonis puts software and machine learning to bear on the problem. Co-founder and CEO Alexander Rinke says that his company deals with massive volumes of data and moving all of that to the cloud makes sense. “With Intelligent Business Cloud, we will unlock that on prem data, bring it to the cloud in a very efficient infrastructure and provide much more value on top of it,” he told TechCrunch. The idea is to speed up the whole ingestion process, allowing a company to see the inefficiencies in their business processes very quickly. Rinke says it starts with ingesting data from sources such as Salesforce or SAP and then creating a visual view of the process flow. There may be hundreds of variants from the main process workflow, but you can see which ones would give you the most value to change, based on the number of times the variation occurs. Screenshot: Celonis By packaging the Celonis tools as a cloud service, they are reducing the complexity of running and managing it. They are also introducing an app store with over 300 pre-packaged options for popular products like Salesforce and ServiceNow and popular process like order to cash.

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